Here are some guidelines I wrote in collaboration with the writers from https://myadmissionsessay.com/essays/pay-for-essays.html for writing a book that can be really useful for you.

How to write a book step by step

How do you start writing a book? And hit him with the question. The answer is not simple, not easy, not even possible. There are no rules, no one knows how to always do it right. The urge to write comes because you have something to teach others, the urge is so strong that even though you know it's crazy, you do it. You start writing, but that initial question haunts you. So that you stop, I'm going to try to give you some clues without which this adventure can become hell, for you and, above all, for your future readers, poor creatures. Respecting them and trying to show them a good time is the most important thing you should know and the way to keep them from running in the opposite direction to your work. Pull and we haven't started yet. Go on and see.

1. The idea of writing a book

To write a book the first thing you have to have is a good idea. Praise God! I just discovered gunpowder. You must be thinking this is off to a bad start and you're right. Writing a book usually starts this badly and, a secret too often ends up worse.

Sometimes great ideas come up that will never lead to writing anything. It usually happens that you are sleeping and suddenly something crosses your head, you open your eyes and think: there it is. You are even able to get out of bed to run and write that wonderful idea you just had. Groping and almost in the dark, so as not to wake anyone up, you scribble on the first thing you find that beautiful light. What happiness, it costs you go back to sleep how wonderful it will be. Ja.

The next day, the first thing you do is run to read the paper, which (oh, Lord, take me away soon!) was the tax return, honey, on flakes, and you squint your eyes trying to read what will make you poor... Oh, and that's... how to put it finely, you put the word.

Don't worry, it happens often and most of the ideas that we come up with to write a book don't even make it into a micro-story. It is important that the idea itself has enough depth to resist the immense amount of questions you have to ask it to extract a book from it.

Many times, a great idea catches you without the proper preparation, time or funding you need to implement it. Solution: put that bomb in a drawer and, pray... just kidding. Work for better times to come.

So only ideas that are feasible and full of answers are good enough. If you have a good idea, ask him anything you can think of. Only if you are able to answer 90% of the questions you ask will it be possible to write a book about it.

You get the idea. Come on, let's write. Just like that? Well, yes and no. I'm sure you have this repetitive thought: "I want to write a book and I don't know how to start." Don't worry about it either. In fact, I intend to help you focus your goals and know what you are exposed to. But always with your mind high; it's essential if you want to write a book. And you'll say it's not that easy. I know, it's not, but you have to be very eager because it's a long-distance race that starts with the next point.

2. Documentation and information process

In case the story requires documentation (and all require some), you will have to investigate first. It's possible to do so during the creative process, but that will lead you to rewrite much more later than you should. You need to know the basics of your idea before you get started. All of them. I'm sure there are many of them, so until you have them, you will hardly be able to create a good structure.

For example, this happens if you want to publish a historical novel or an essay, but also if you respect your readers no matter how much you write a romantic novel, for example. There's always a documentation process, don't skip it, it's necessary. You'll go through it safely and without fear of having to rewrite everything afterward. Your mind will make the most of what you are doing and will compensate you with better ideas. You want more advantages, one very important one is that your readers will thank you immensely.

3. The Internal Structure of a Book

Structuring a book is a step that many thinks does not go with them. I hope you're not one of these because I'm going to give you this. When someone tells me that he's more of a compass and that he writes silly and crazy as inspiration comes, I start to tremble. At first, I was scared (you can't imagine what it's like to publish a book like this, no matter how good it is), now I tremble with rage. But, well, would anyone think of making a house without a foundation, sewing a pair of pants without any previous measures, designing the urban order of a city as it comes in each moment, whoever does those things? Nobody, right? Well, stop talking nonsense and start making a proper structure if you want to write a good book, man, now.

After the attack I feel much better, thanks. I'm going to the mess. Bearing in mind that you are different from the rest of the people who write, that you have your own way of creating that is non-transferable and original, there are certain biases that are obligatory for writing a book. That's right. In literature, there are few rules, but this is one of the most important. It may be that this structure I'm talking about is not written anywhere, but in your head, it must be clear.

And, of course, if the story is complicated, with many plots, characters and different narrative voices, more than one scheme becomes essential. Or do you think that Aramburu wrote Patria by divine inspiration? He told me that he had all the walls of his office covered with notes and diagrams. That's how you create a good book.

Do you think Almudena Grandes doesn't know what she has to write at every moment? She is obsessed with order and that everything fits, all the chapters have the same pages (not exact, but yes), there are always zero chapters, which she loves, and everything is thought out and measured before she starts writing. How do you make a book addictive with chapters of more than 50 pages? Without thinking, I assure you that it is not. Planning a book and its parts will greatly facilitate later work.

4. Control your readers' emotions. The data and how to prioritize them.

If you want to write a good book you must control the emotions of the reader to the millimeter. For example, if you are interested in the crime novel, you will know that you must prioritize and measure at what point you put each of the data. That's the key to the rhythm and tension, also to the big mistakes in this type of novel. Not measuring in this particular case is the worst thing you can do.

Every story has a method. Think about how you have yours in your head, you have the key. You can start writing when you have that story on tape. Until then, make sure you don't have too many loose ends because then, when you start writing, they will come out from under the rocks. A novel or a book is a Swiss watch, if you want it to work properly you have to control which piece should move and when.

Once you have a clear outline, consider whether this is the best way to tell what you want to tell. The structure of a novel or a book is fundamental to transmit the data in the right order and to make the reader internalize the information as you want.

And forget the myth that if you plan too much you kill your inspiration. To begin with, this ungrateful muse usually appears when you're working, and besides, inspiration and improvisation will always be present in the process, even if you don't want to.

5. First chapter. Must be a shot

The first paragraph should ignite the reader's mind and draw his or her attention; but above all, it should show him or her a universe in which he or she feels like living.

That start doesn't need to have fireworks, but you have to raise questions in the reader's mind to keep him or her reading. Look at your favorite novels and how they start. Take a look at why the author has started there.

Studying the beginning of your book and the sensations it arouses is fundamental. Introduce the reader to the action, not explain or describe. The beginning of a book should be like a good story, fast, hot, attractive, and not a word should be left over, all the words you use should be loaded with meaning. It should flow like a shot. If you want to expand on this I leave you a link to the worst mistakes in the first chapter.

6. The importance of the chapters

Taking care of how they start and end is fundamental to making reading smooth and addictive. Opt for short chapters, but with meaning. Don't break scenes to create tension, if it's not justified. The reader hates to be manipulated. If he catches you, goodbye.

The same plot will tell you where each chapter begins and ends, it should be a series of scenes arranged as organically as possible.

7. The narrative rhythm

In narrative, as I said before, prioritizing information is essential to achieve rhythm, balance, action, suspense, mystery and a long list of other elements.

It is important to measure the rhythm in each of the chapters and that together they have a balance so that the emotion does not fall at any time. Also to know if you are taking the reader with your tongue out. You can't just drag him around like that for six hundred pages. You can handle that when you have no choice in real life, but in a book, when you have such an easy way to close it, it's a bad choice.

To achieve this constant tension, many times, you resort to plots that have neither a shaft nor a face, as they say in my town. They are dismantled from one chapter to the next and you're trying to scare the reader without really having serious consequences for the plot or its evolution throughout the book. Forget about this. It's a fiasco, a fat one.

Control their emotions and make the experience addictive. The key is to know when to air the plot or intensify it. To do this, you must control the tools you have, for example, dialogues to lighten; narration to give intensity. Study what you need at each moment. This is the only way to get it right.

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